Cajun Dead and the Talkin Stick: Breathing New Life into Acadian Musicians
French Acadian songs, experiencing an NFT reboot with the innovative Cajun Dead and the Talkin Stick sound and vision project on Web 3 Blockchain
French Acadian songs, deeply rooted in the people's cultural heritage in the Claregyle region, are experiencing a transformative reboot with the innovative Cajun Dead and the Talkin Stick sound and vision project on Web 3 Blockchain.
This MBF-Lifestyle musical venture takes a bold step away from the standard cookie-cutter Édith Butler formula that has characterized who and what makes an Acadian Artist for decades. It brings new song lyric narratives that reflect contemporary times and shed light on American culture's real-world challenges from Moncton to Church Point.
Traditional Acadian Heritage vs. Contemporary Music Scene Narratives
The traditional sounds of jigs and reels, once the heartbeat of Nova Scotia, New Brunswick Cajun and Prince Edward Island Culture, have served as a cultural touchstone and a draw for Baie Ste Marie patrimonial tourism. However, these conventional tunes are losing their resonance in the current era. The landscape of Acadian village life has evolved, and the once-relevant jigs and reels now seem disconnected from the real-world issues in Web3 media representation that the Acadian regions and the Cajun Culture community face in 2024 and beyond.
Innovative Acadian Society its Artist and the traditional music Patrimonial Industry and Congrès mondial acadien
Many, if not all, Grand Dérangement recording artists have found themselves trapped in a static cookie-cutter formula of song that serves as an unyielding formula, emphasizing pride in being Acadian while ignoring the multifaceted realities of contemporary Acadian Ghetto life. A solution being put to use is the Wall Art POD Instagram account of Theriault being the new Appalachian Cajun Dead et le Talkin Stick hung-sung Acapella style being La Relevé Vol 4 that narratives truly reflective of Da`h Times Yo Honey delivering relevant song lyrics.
Theriault is a Tauplin in search of a prancin' poney musician singer to sing them like Warwern sings Cohen franco hill bill style twang with an Enya Celtic undertow
La version française est encore plus intéressante à voir
The music scene`s purpose formula is as a living Acadian folklore soundtrack to the idyllic image of happy-go-lucky new Acadians beyond the Acadian history in the fields, like francophones overlooking Grand-Pré Acadie circa 1755. The Insular fractured clicks of Leblanc, Robichaud, Comeau, and Belliveau to the left and right play the Acadian roots card, vying for government-titled Acadian society positions, Acadian Heritage Patrimonial Industry Congrès mondial acadien positions, and Université de Moncton paychecks.
With the standard default to traditional local Hill Bill Twang and the Acadian flag being the ticket of entry into the walled garden realm of the 7.3 million dollars world acadian congress; to highlight francophone culture with Acadian bands Acadian singers, the Canadian pop tard du Jour; while visual artists get no love.
Hence, creatives like Claude Edwin Theriault at MBF-Lifestyle need to reinvent themselves in the francophonie of the Acadian exiles due to his non-cookie-cutter approach to making music with MIDI Chorda by Artiphon. Thus, a new Acadian identity today reflects the here and now of Yà Un Botes dans la Baie et sèn nèst pwoin un de`les notre and not just on National Acadian Day on CBC.
Claude Theriault
Cajun Dead and the Talkin Stick: A Sonic Acadia Revolution a la Baie
Enter Cajun Dead and the Talkin Stick, a project that challenges the status quo in the region's cultural representations. This innovative song-lyric initiative breaks away from the conventional narrative of historic French Settlers. It delves into real-world socio-cultural and socio-economic challenges the Insular community faces and refuses to adhere to the outdated Acadian dialect notions of a picturesque Acadian life.
They are bringing to light the gritty truth behind the vibrant culture's struggle against assimilation in Halifax-centric Anglo-Bell media and Saltwire cultural platforms of the Maritime Provinces that are not keen on new French Acadians. They want the traditional Archetypal tales of Evangeline, Gabriel, Grand-Pré and the Deportation since they know their place in one of the most respected sections de la chanson in the national museums of Canada French Canadians section in gosh darn golly politically correct French and English.
Claude Theriault
Beyond the acadian heritage patrimonial industry, Grand Dérangement same old, same old
The lyrics of Cajun Dead serve as a poignant commentary on the complexities of Acadian identity, exploring themes of fractured allegiances, governmental influences, and the economic struggles faced by the community. This departure from the norm provides a much-needed platform for Acadian music artists to express the intricate layers of their culture, going beyond the stereotypical portrayals that have dominated the phoney canadian francophonie industry.
World Music across Canada and Beyond: With Appalachian Cajun Dead Rebooting Acadian Music in Need of an Inspired Acadian Culture light
Cajun Dead and the Talkin Stick project transcend the boundaries of Acadian music, evolving into a genre aptly labelled as world music album of the year material. Fusing traditional Acadian elements with contemporary narratives creates an Appalachian sound that resonates throughout Acadia if given a chance, instead of seeing the Insular mindset that another career was cut short with the Acadian community and a global audience.
The inclusion of Appalachian influences in Cajun Dead's acapella rendition of "Light Shining in a Dark Place" further underscores the universal old and new appeal of this musical venture from Cape Breton to Memramcook.
Claude Theriault
Acadians on National Acadian Day New Brunswick to Prince Edward Island and Nova Scotia
The Cajun Dead and the Talkin Stick project elevates song lyrics beyond the Radio Radio template and music to a global platform by embracing diverse influences and shedding light on real-world issues. It serves as a testament to the resilience and adaptability of the Acadian culture, breaking free from the confines of a stagnant formula to create a sonic revolution that is both authentic and forward-thinking.
First Acadian communities to be part of A Resounding Southwestern Nova Scotia Acadian History Resurgence
As Cajun Dead and the Talkin Stick project continue challenging the norms of Acadian music, they signal a resounding resurgence for the genre. This musical venture breathes new life into the Acadian cultural narrative by addressing real-world issues and incorporating diverse influences.
The sound and vision of Cajun Dead reach beyond the confines of tradition, offering a refreshing perspective that is both relevant and compelling. In embracing the complexities of contemporary L'Acadie, this project ensures that the music survives and thrives in the ever-evolving landscape of cultural expression.
