Acadian Festival Racist President Daniel Leblanc
French acadian festival has a homophobic racist president Daniel Leblanc, rumoured to be part of the local white nation supremacist chapter active in Gods country of south west Nova Scotia.
French acadian festival has a homophobic, racist president, Daniel Leblanc, rumoured to be part of the local white national supremacist chapter active in God's country of southwest Nova Scotia.
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Local LGBT are calling for his resignation for his xenophobic Queer phobic words and actions. Dishonourable mention also goes to CMA 2024 Vice-Chair (Clare): Natalie Robichaud, Executive Director, Société acadienne de Clare; for her active support and encouragement of Queer phobia.
In October of 2018, a local Queer visual artist walked into the office of Nathalie Robichaud, who was having a tete-a-tete moment with the acadian festival president and pompous-arsed cultural ambassador Daniel Leblanc. When Claude Edwin Theriault spoke to Daniel Leblanc, he turned his nose up and turned his head 90 degrees away from Claude since he does not look at or talk to dirty old Queer visual artists.
All of this is in the office of Nathalie in her face, and she says and does nothing, the word awkward streaming on her forehead like a teleprompter. And you may leave now; Claude was the body language coming off of the two xenophobic queer phobic racist bastards that Nathalie Robichaud and Daniel Leblanc are.
Hence, the term Mississippi Acadie Goddam
The blatant we can do whatever we want attitude and ideologies of old established heritage and patrimonial administering Oligarch honky bastards; has to stop, and it will. Since a word after a word after a word equals power, there is a new world order that is in the process of plowing under the likes of the old established academic bureaucrats living in their bubbles of phoney partisan politics managing government zombie corporations that produce nothing, let alone produce value.
Like the modern contemporary artwork of Claude Edwin Theriault, which produces therapeutic value to those who look at it without their ingrained prejudice, something very ingrained in the local southwest Nova Scotia heritage patrimonial industry of straight white Roman Catholic prudes who steadfastly refuse to include visual artists on the list of our artists from the Bay.
Whenever there are any cultural representations, it's the rappie pie and dull, uninspired gigs and reels that fewer and fewer people are interested in. The entire youth culture of the region has had its attention high-jacked by smartphones, and China-based A.I. chatbots at TikTok. Therefore, how can an old cultural staple like the patrimonial heritage industry survive as the senior demographics audience shrinks daily?
It cannot and will not since modern contemporary visual artist voices are emerging and not asking but demanding Dan's face, demanding inclusion. Instead of systematic exclusion from the likes of phoney two-faced mask-wearing racist bastards like Nathalie Robichaud and Daniel Leblanc and all of their don't ask, don't tell politically connected cronies.
It is endemic from FANE to CMA2024 Association national d'Acadie. Change or be prepared to be plowed under by emerging Web 3.0 platforms of open-source free speech.
